Hey people this is my interpretation of the story, that inspired me to write 'The Inner Artifact'
There is a reason, for why this story came to my mind.
The whole scenario of the desert is pointing to the vastness of life (most
deserts are vast isn’t it?). His walking in the desert is nothing but the flow
of life from the past to the present, to the future. The sand of the desert
symbolizes the past (sand is refined powder of old rocks). The action of
walking is the present tense, because the archaeologist is doing it, which
symbolizes that we are in the now. He
places his foot deep in the sand, which signifies a strong foundation in the
past. The dropping of sand off his shoes symbolizes that he is not stuck in his
past. What he sees in front of him, while walking, are the opportunities of the
future.
He realizes a vague memory, while walking (that is when
one is in the flow of life), mindful of the moment, his/her inner voice
emerges. To the archaeologist it has emerged in the form of a building (which
points to the objective in general) and specifically it has roman architecture.
I have said so because I have seen such buildings having sharp tip at the roofs, which in the story, symbolizes the
sharpness in the purpose of the inner voice.
Most of the times when we follow our inner voice, we get
a lot of opposition from the mind and also the external world (which is like
walking in the scorching sun). Of course
we need to relax and ease ourselves. But sometimes when we are truly motivated,
it is so powerful, that the motivation develops a momentum in us, to keep
moving forward in our endeavour.
Seldom life itself offers certain obstacles, just to test
us. Indeed that is the way of life right , “Test a person first and then teach
the lesson.” In the story, the archaeologist comes across a sand dune, which is
difficult to climb, but then he doesn’t give up, instead he motivates himself,
more and starts climbing it, to later realize, that the monument is in that
place. This is more like, life putting a person in one of the toughest
situations, just before stepping on the last step to accomplishing the goal.
After he ascends the dune completely, he sees the
monument, which was in his mind. This is more like after a person has conquered
the most challenging obstacle of life, it is more likely for that person to
realize his purpose.
Once a person stands face to face in front of his vision,
it feels as though like a dream, something which is unbelievable miraculous. So
when the archaeologist sees the monument, he goes through a similar experience
and he feels that the castles were there all along, just to welcome him. i.e.,
it is more like our vision and goals are just waiting for us, to welcome us,
once we tap our infinite potentials. I have stressed upon limestone for two
reasons. One it was used by the people long ago for construction purposes,
which symbolizes that our heart/inner voice, already knows what we want out of
life(the pattern of life) prior to anyone (way before anything), and the second
reason is that limestone gives me a gentle feeling, which is very similar to
the solace in ourselves, after realizing our purpose (after self-actualizing in
a broader sense). The archaeologist sees pores in the building (when I say
pores in the building, I get the pore patterns, as that on cheese), which is
more symbolic to his absorbent mind. When mind is too absorbent, it is ready to
observe the subtleties of life, which are more like cues to his real dreams.
Once he sees the path of his heart, he is afraid and
uncertain, to walk further, which is why he sees darkness stretching way long in the central
pathway. When a person trusts himself and walks the path of his heart, though
he’s afraid initially, somehow he’s guided by the elements of nature, in the
most suitable way to the destination. The archaeologist in the story is
similarly guided by those statues of sand, which have a fire torch (symbolic to
guidance). The joy in following one’s heart is as joyful as listening to soft
music, so I have mentioned that background music. I have mentioned 7 doors as
number 7 has a mystic role in nature (very similar to mysticism in the journey
of actualization).
I have been influenced a lot by Jungian ideas, so I have
given a Jungian touch to the description of the place that the archaeologist
finally arrives. The place is square like in shape, which symbolizes
materialism and a sense of confinement of the physical material world (because
a square has sharp corners, which are like limitations). Every person does
enjoy materialism, but then after some point, there is a sense of
dissatisfaction, which is when he/she tries to transcend that realm to higher
liberty.
The archaeologist sees the edges of the square like
pattern to be smooth. (Imagine a square, then visualize the blunting of the
sharp edges). He perceives it to be circular. Circles are symbolic to the
wholeness, which is the feeling in the archaeologist as well, after coming to
that place. The roof of this place has wider pores, which is metaphoric to the
nature of acceptance that the archaeologist eventually learns through his
journey.
When we closely observe the nature/role of water, it is a
cleanser (i.e. it purifies anything in its way) and gives rise to new life
forms. Similarly here in the story, the archaeologist is purified by his
journey and has a new understanding of life, which has emerged from deep within
him (more of an inward journey). In the story it has been depicted through his
action of digging deep and finding a treasure box. This treasure box has the
artifact he was searching for, which is a golden mask. The mask symbolizes
identity and gold, the infinite potentials (gold is lustrous, and glitters
bright, once it is refined from the process of metallurgy). Similarly a person
becomes content and radiant after he’s refined from the process of life.
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